-
"RAW, ACADEMIC, PROCEDURAL, YET TANTALISINGLY BEAUTIFUL AS IT HOVERS BETWEEN ORDER AND CHAOS, AUTOGLYPHS OCCUPY A UNIQUE POSITION IN THE HISTORY OF BLOCKCHAIN BASED ART."
- SOTHEBY'S on autoglyphs
-
"invites the audience to reflect on the relationship
between technology, AI, and space exploration"
- SOTHEBY'S ON REFIK ANADOL
-
-
-
-
Monica Rizzolli, Fragments of an Infinite Field #918, 2021
-
Monica Rizzolli, Fragments of an Infinite Field #822, 2021
-
Monica Rizzolli, Fragments of an Infinite Field #227, 2021
-
Monica Rizzolli, Fragments of an Infinite Field #453, 2021
-
Monica Rizzolli, Fragments of an Infinite Field #372, 2021
-
Monica Rizzolli, Fragments of an Infinite Field #38, 2021
-
Monica Rizzolli, Fragments of an Infinite Field #870, 2021
-
Monica Rizzolli, Fragments of an Infinite Field #705, 2021
-
Monica Rizzolli, Fragments of an Infinite Field #536, 2021
-
Monica Rizzolli, Fragments of an Infinite Field #410, 2021
-
Monica Rizzolli, Fragments of an Infinite Field #654, 2021
-
Monica Rizzolli, Fragments of an Infinite Field #297, 2021
-
Darien Brito, Pigments #607, 2021
-
Darien Brito, Pigments #165, 2021
-
Darien Brito, Pigments #102, 2021
-
-
-
-
"HYBRIDIZED MATERIAL AND FORM THROUGH A MULTIDIMENSIONAL SCROLL"
SARA LUDY
-
-
"OPTICAL PATTERNS REFERENCING GEOMETRIC SHAPES AND MOTIFS FROM THE 60S & 70S"
NICOLAS SASSOON
-
-
Refik Anadol, Unsupervised — Machine Hallucinations — MoMA Dreams — A, 2021
-
Refik Anadol, Unsupervised — Machine Hallucinations — MoMA Dreams — B, 2021
-
Refik Anadol, Unsupervised — Machine Hallucinations — MoMA Dreams — C, 2021
-
Refik Anadol, Unsupervised — Machine Hallucinations — MoMA Dreams — D, 2021
-
Refik Anadol, Unsupervised — Machine Hallucinations — MoMA Dreams — E, 2021
-
Refik Anadol, Unsupervised — Machine Hallucinations — MoMA Dreams — F, 2021
-
Refik Anadol, Unsupervised — Machine Hallucinations — MoMA Dreams — G, 2021
-
Refik Anadol, Unsupervised — Machine Hallucinations — MoMA Dreams — H, 2021
-
Refik Anadol, Unsupervised — Machine Hallucinations — MoMA Dreams — I, 2021
-
Helena Sarin, Think Twice... It's a Crowded Paradise
-
Racquel Meyers, Picnic 002
-
Neural Bricolage (Helena Sarin), Leaves of Manifold, of Red and Gold
-
Eponym by ART AI, distorted frequencies on a calm beach bay
-
Eponym by ART AI, taobao
-
Eponym by ART AI, rui'an wenzhou
-
Pedro Victor Brandão, Pedro Victor Brandão Tile #47
-
Bård Lonson, The Spider And The Zinnia
-
Shvembldr, Alien Insects #767
-
-
-
-
"Arrive at nothing and time ceases. Focus on time and nothing arrives."
MANCEL
Generative Art
-
"RAW, ACADEMIC, PROCEDURAL, YET TANTALISINGLY BEAUTIFUL AS IT HOVERS BETWEEN ORDER AND CHAOS, AUTOGLYPHS OCCUPY A UNIQUE POSITION IN THE HISTORY OF BLOCKCHAIN BASED ART."
- SOTHEBY'S on autoglyphs
-
"invites the audience to reflect on the relationship
between technology, AI, and space exploration"
- SOTHEBY'S ON REFIK ANADOL
-
-
-
-
-
"HYBRIDIZED MATERIAL AND FORM THROUGH A MULTIDIMENSIONAL SCROLL"
SARA LUDY
-
"OPTICAL PATTERNS REFERENCING GEOMETRIC SHAPES AND MOTIFS FROM THE 60S & 70S"
NICOLAS SASSOON
-
-
-
"Arrive at nothing and time ceases. Focus on time and nothing arrives."
MANCEL
![Moeen, // SYSTEM [ I ], 2021](https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/ws-artlogicwebsite0432/usr/images/artworks/main_image/items/59/59bebd824eca4630bddfd10731b98af9/system-i-.jpg)
