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"RAW, ACADEMIC, PROCEDURAL, YET TANTALISINGLY BEAUTIFUL AS IT HOVERS BETWEEN ORDER AND CHAOS, AUTOGLYPHS OCCUPY A UNIQUE POSITION IN THE HISTORY OF BLOCKCHAIN BASED ART."
- SOTHEBY'S on autoglyphs
-
"invites the audience to reflect on the relationship
between technology, AI, and space exploration"
- SOTHEBY'S ON REFIK ANADOL
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Monica Rizzolli, Fragments of an Infinite Field #918, 2021 -
Monica Rizzolli, Fragments of an Infinite Field #822, 2021
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Monica Rizzolli, Fragments of an Infinite Field #227, 2021
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Monica Rizzolli, Fragments of an Infinite Field #453, 2021
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Monica Rizzolli, Fragments of an Infinite Field #372, 2021
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Monica Rizzolli, Fragments of an Infinite Field #38, 2021
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Monica Rizzolli, Fragments of an Infinite Field #870, 2021
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Monica Rizzolli, Fragments of an Infinite Field #705, 2021
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Monica Rizzolli, Fragments of an Infinite Field #536, 2021
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Monica Rizzolli, Fragments of an Infinite Field #410, 2021
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Monica Rizzolli, Fragments of an Infinite Field #654, 2021
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Monica Rizzolli, Fragments of an Infinite Field #297, 2021
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Darien Brito, Pigments #607, 2021
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Darien Brito, Pigments #165, 2021
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Darien Brito, Pigments #102, 2021
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"HYBRIDIZED MATERIAL AND FORM THROUGH A MULTIDIMENSIONAL SCROLL"
SARA LUDY
-
-
"OPTICAL PATTERNS REFERENCING GEOMETRIC SHAPES AND MOTIFS FROM THE 60S & 70S"
NICOLAS SASSOON
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Refik Anadol, Unsupervised — Machine Hallucinations — MoMA Dreams — A, 2021
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Refik Anadol, Unsupervised — Machine Hallucinations — MoMA Dreams — B, 2021
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Refik Anadol, Unsupervised — Machine Hallucinations — MoMA Dreams — C, 2021
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Refik Anadol, Unsupervised — Machine Hallucinations — MoMA Dreams — D, 2021
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Refik Anadol, Unsupervised — Machine Hallucinations — MoMA Dreams — E, 2021
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Refik Anadol, Unsupervised — Machine Hallucinations — MoMA Dreams — F, 2021
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Refik Anadol, Unsupervised — Machine Hallucinations — MoMA Dreams — G, 2021
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Refik Anadol, Unsupervised — Machine Hallucinations — MoMA Dreams — H, 2021
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Refik Anadol, Unsupervised — Machine Hallucinations — MoMA Dreams — I, 2021
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“merging the stillness of a painting and the motion of the video into a simple, eternal and hypnotic gif”
Al Crego
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Helena Sarin, Think Twice... It's a Crowded Paradise
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Racquel Meyers, Picnic 002
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Neural Bricolage (Helena Sarin), Leaves of Manifold, of Red and Gold
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Pedro Victor Brandão, Pedro Victor Brandão Tile #47
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Bård Lonson, The Spider And The Zinnia
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Shvembldr, Alien Insects #767
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"Arrive at nothing and time ceases. Focus on time and nothing arrives."
MANCEL
Generative Art
-
"RAW, ACADEMIC, PROCEDURAL, YET TANTALISINGLY BEAUTIFUL AS IT HOVERS BETWEEN ORDER AND CHAOS, AUTOGLYPHS OCCUPY A UNIQUE POSITION IN THE HISTORY OF BLOCKCHAIN BASED ART."
- SOTHEBY'S on autoglyphs
-
"invites the audience to reflect on the relationship
between technology, AI, and space exploration"
- SOTHEBY'S ON REFIK ANADOL
-
-
-
"HYBRIDIZED MATERIAL AND FORM THROUGH A MULTIDIMENSIONAL SCROLL"
SARA LUDY
-
"OPTICAL PATTERNS REFERENCING GEOMETRIC SHAPES AND MOTIFS FROM THE 60S & 70S"
NICOLAS SASSOON
-
“merging the stillness of a painting and the motion of the video into a simple, eternal and hypnotic gif”
Al Crego
-
-
-
"Arrive at nothing and time ceases. Focus on time and nothing arrives."
MANCEL
![Moeen, // SYSTEM [ I ], 2021](https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/ws-artlogicwebsite0432/usr/images/artworks/main_image/items/59/59bebd824eca4630bddfd10731b98af9/system-i-.jpg)
